• Under Vancouver 1972-1982 by Greg Girard
  • Under Vancouver 1972-1982 by Greg Girard
  • Under Vancouver 1972-1982 by Greg Girard
  • Under Vancouver 1972-1982 by Greg Girard
  • Under Vancouver 1972-1982 by Greg Girard
  • Under Vancouver 1972-1982 by Greg Girard
  • Special Edition Boxset
  • Special Edition Boxset

Under Vancouver 1972–1982
Greg Girard

When I started making these photographs, especially the pictures of people in the mid-1970s, I felt like I was photographing a world nobody knew anything about, apart from the people living it, of course. I was something of an interloper, but my youth protected me. It’s curious to consider these pictures now, practically unseen since they were made, in terms of a Vancouver they might have some potential to invent. —Greg Girard

Greg Girard’s photographs of Vancouver from the 1970s and early 1980s show us the city’s final days as a port town at the end of the railway line. Soon after Vancouver began to be noticed by the wider world (Expo 86 is generally agreed on as the pivotal moment), the city began refashioning itself as an urban resort on nature’s doorstep and attracting attention as a destination for real estate investment. At that time, long before post-9/11 security concerns sealed off the working waterfront from the city, many of Vancouver’s downtown and east side streets ended at the waterfront, an area filled with commercial fishing docks, cargo terminals, and bars and cafés for waterfront workers and sailors. Pawn-shop windows downtown displayed outboard motors, chainsaws and fishing gear. Wandering these streets, living in cheap hotels, Girard photographed the workaday (and night) world of the city where he grew up.

The photographs in Under Vancouver 1972–1982 were made before Girard began earning a living as a magazine photographer, later establishing a formal practice as an artist. They reveal an early interest in the hidden and the overlooked, the use of colour film at night, and the extended photographic inquiry of a specific place, all of which became signature features of later books such as City of Darkness and City of Darkness Revisited (about the infamous Kowloon Walled City), Phantom Shanghai and Hanoi Calling.

Under Vancouver 1972–1982 is the first comprehensive collection of Girard’s early photographs of Vancouver. Made in and of the moment, a young photographer’s earliest engagements (often featuring the underside of the city), the pictures now form an unintended photographic record of a Vancouver that has all but disappeared.

Opening reception and book launch
Saturday April 22, 2017
2:00–4:00 pm

Exhibition
April 22–May 27, 2017

Monte Clark Gallery
105–525 Great Northern Way
Vancouver, BC V5T 1E1
monteclarkgallery.com

Released
First Edition: 2017
Format & Features
Interviews by David Campany
with William Gibson

Hardcover, 7" × 9.75"
184 pages
90+ colour and black & white photographs
ISBN 978-1-926856-10-0

Special edition limited to 100.
List Price
$50.00 / £35 (book)
$400 (special edition box set: book in box + set of 5 prints in envelope)

Greg Girard

Greg Girard is a Canadian photographer whose work has examined the social and physical transformations in Asia’s largest cities for more than three decades. City of Darkness Revisited, released in 2014, revives an early collaboration with co-author Ian Lambot, and updates their seminal book, City of Darkness: Life in Kowloon Walled City (Watermark, 1993).

Based in Shanghai between 1998 and 2011, his photographic monograph, Phantom Shanghai (Magenta, Toronto, 2007), with a foreword by novelist William Gibson, looks at the rapid and at times violent transition of Shanghai as the city raced to make itself “modern again” at the beginning of the 21st Century.

Other titles include Hanoi Calling (Magenta, Toronto, 2010) and In the Near Distance (Kominek, Berlin, 2010), a book of early photographs made in Asia and North America between 1973 and 1986.

Girard’s work is in the collections of the National Gallery of Canada, The Art Gallery of Ontario, the Vancouver Art Gallery and other public and private collections. He is represented in Canada by Monte Clark Gallery. In addition to book projects and gallery work, Girard is a contributing photographer to National Geographic magazine. “How the DNA Revolution is Changing Us” appeared in the August 2016 issue. Other stories include “Can China Go Green?”, “The Kingdom of David and Solomon”, and “Bitter Waters: China’s Water Crisis.”

Greg Girard

Press

Photographer Greg Girard is widely acclaimed for the images of Shanghai, Hong Kong, and Hanoi he created during the three decades he lived and worked in Asia. Less well known are the photos he shot in his hometown of Vancouver, when he was a teenager and young man, just beginning to find his way toward his urban subjects. His new book, Under Vancouver 1972-1982, and the companion exhibition at Monte Clark Gallery, reveal aspects of the social and architectural character of our port city before Expo 86 brought it to the attention of international investors and ravening developers. The Georgia Straight »
For instance, Greg Girard's wonderful Under Vancouver project, which consists of photographs taken between 1972 – when he was a teenager – and 1982, when he moved to Asia. "There was never any intention during this time to make pictures about Vancouver per se. It was where I lived, and so that's where I made pictures," Girard said in an interview in the recently published Greg Girard: Under Vancouver 1972-1982. The Vancouver Art Gallery goes beyond expectations by exposing visitors to a more contemporary picture of life in B.C. (The Globe and Mail) »